What Carol Doda Taught Me

First-class lessons from a pioneering stripper

This week in my newsletter I thought I’d share an excerpt from my memoir, Data Baby: My Life in a Psychological Experiment. This episode takes place early on in the book. I believe it was 1997 or thereabouts. At the time I was living in the Bay Area, where I grew up. On this particular night, I ventured out to the strip clubs in North Beach in San Francisco. It would prove to be a fateful series of events.

I thought it would be interesting to write about the strip clubs in the North Beach neighborhood of San Francisco. I was curious about these enigmatic clubs on Broadway that I had seen but never entered. As a kid in the back seat of my parents’ Dart, I had been driven through San Francisco and spotted The Condor (which, in 1964, became one of the country’s first topless bars). Out front, a towering sign featured a supersized blonde, impossibly busty. Her name, I would find out later, was Carol Doda. On the sign, she wore a black bikini with blinking red lights for nipples.

Doda was the opposite of my mother and her friends, who considered makeup, heavily styled hair, and revealing clothes tools the patriarchy used to subjugate and objectify women. But Doda wasn’t anyone’s tool; she was a legend. She was America’s first topless dancer of note, and her surgically enhanced breasts were billed as “the new Twin Peaks of San Francisco.” When I was in graduate school, I had seen an episode of HBO’s Real Sex about strippers, and I was struck by the revelation that strip clubs were places where intimacy was for sale. Sure, it was transient, transactional, and most often conducted between a guy with a handful of dollar bills and a dancer in a G-string and not much else who twirled seductively around a pole on a stage, but there was something real about it. The strippers reminded me of the girls I had hung out with in high school, whom everyone else had deemed slutty.

“Oh my god, Susannah, make up your mind!” Anne laughed as we stood at the corner on a Saturday night. Broadway was teeming with drunk guys, sailors on leave, and couples on the prowl for something more interesting than what they had already. I scanned the glowing signs. Roaring 20’s. Big Al’s. The Hungry I.

“This one!” We ducked inside. As we moved down the black hallway toward a red velvet curtain, I worried what someone else in the club might think. I, a woman, was in a strip club. As I pulled back the curtain, it dawned on me that wasn’t going to be an issue. There was one thing the men scattered at the small, dimly lit tables around the room were paying attention to, and it wasn’t me. It was the half-naked girl on the stage.

Nonchalantly, we took a seat at a table near the back. We ordered a couple of overpriced drinks. I took a sip: It was straight orange juice. The cocktails were alcohol-free, thanks to a California law that prohibited the sale of alcohol in fully nude strip clubs. It didn’t matter; my head was buzzing from the drinks we’d had at the bar around the corner.

In one smooth movement, the statuesque brunette dancer teetering on the highest heels I had ever seen peeled off her dental-floss-thin neon-green thong. She tossed the thong to one side, grabbed the pole, climbed up it. High above the crowd, she wrapped her thighs around the pole and bent over backward, throwing her arms open like an inverted angel.

The academic world in which I had grown up was right across the Bay, but it may as well have been a million miles from where I was. I studied a solitary businessman sitting at the next table. His tie was untied. His jacket was slung across the back of his chair. His eyes were glassy. He had been hypnotized. In this world, women had all the power, and men were at their mercy. I didn’t want to be a stripper; I was too shy, too insecure, too inhibited to take off my clothes in front of strangers. But I wanted what she had: the stage, the audience in awe, the men gawking at her. As a kid, I had longed for attention. This was an orgy of attention. As a pubescent teen, I was left to figure out my sexuality for myself because my mother was so unhappy. Here, sex was on parade, for sale, everywhere I looked. In the Block Project, I was the object, the one on view, the child studied by researchers from across tables in Tolman Hall’s austere experiment rooms. Now I was the voyeur, the looker, the scopophiliac. It was intoxicating.

As we sped back to the East Bay in the early-morning hours, I watched the city get smaller in the side-view mirror. My father was dead, but for a few hours I had forgotten about that. I could write about this. I could be a gonzo journalist, like one of my favorite writers, Hunter S. Thompson, and immerse myself in it. Sex would be my beat.

Buy Data Baby here. Read more about it here. Listen to an interview with me here.

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